A picture-perfect evening.
March 5th, 2010I’d been wanting to go to the Annenberg Space for Photography in Century City since its current exhibit, on the works of legendary sports photographers Walter Iooss and Neil Leifer, opened late last year. But I might not have gotten around to it, particularly right now, if not for a Facebook posting Wednesday from Jessica Mendoza.
Mendoza, who is unquestionably one of my favorite people, not just favorite athletes, from my 25 years in Ventura County sportswriting, noted she’d be participating in a Thursday night lecture at the Annenberg. I messaged her back to ask when it was (6:30 p.m.) and she graciously offered to add me to her guest list (which was good, since the lecture was fully booked), so I decided it was time to visit the Annenberg.
Not knowing how much I’d be able to see the exhibit in connection with the lecture, I went down in the late afternoon — the Space is open until 6 p.m. — and spent about an hour taking in the exhibit, which includes a short video and projected works by the two sports-photo icons, as well as a number of absolutely spectacular prints.
For a sports fan, this exhibit offers a little bit of the same feeling an art aficionado experiences when walking into the Uffizi Gallery in Florence and seeing Michelangelo’s David for the first time. You’re going to encounter very familiar that which have a whole new power when experienced in person.
The best example of this will most likely come when you encounter the beautiful print of Leifer’s most famous photo, the one of Muhammad Ali glowering over Sonny Liston after knocking Liston down in their 1965 fight in Lewiston, Maine. You know the image, but when you can stand in front of it and appreciate the vivid colors and its remarkable depth, with the people standing and looking on at the other side of the ring, you appreciate it like never before. The power of the young Ali is all the more stunning when compared with a nearby Iooss portrait of the stern, weathered visages of Ali and Joe Frazier taken in 2003.
The perfection of composition of some of these photos is breathtaking. There’s a Leifer portrait of jockey Steve Cauthen on the jockey-room scale at that falls somewhere between a Norman Rockwell illustration and the work of an old master in the way the details surrounding Cauthen only enhance the appreciation of the subject.
The cliché, of course, is that a picture is worth a thousand words. But while 10,000 couldn’t do some of these photos justice, one might: Go. You have until March 14. (For details: http://www.annenbergspaceforphotography.org/)
After visiting the exhibit and walking down the street for dinner, I came back for Thursday’s lecture by Mendoza and photographer Marla Rutherford, one of a series related to the Iooss-Leifer exhibit. (I noted with regret that I missed an earlier lecture by L.A. based photographer Lucy Nicholson of Reuters, who is both a remarkably talented shooter and a very sweet person I was fortunate to get to know during my years as a columnist.)
Ostensibly, Thursday’s subject was last year’s Body Issue of ESPN The Magazine — featuring nude photographs of a wide variety of athletes — when Rutherford did a group shoot with Mendoza (then 8 ½ months pregnant) and Olympic softball teammates Cat Osterman, Natasha Watley and Lauren Lappin.
While that was certainly the starting point, it turned out to be a wide-ranging 90 minutes. The endearingly quirky Rutherford talked, for example, about the challenge of getting people to do things they normally wouldn’t, and of finding the “in-between moments” when people are actually themselves, rather than just responding to instructions. Mendoza — the force of nature who moves from athletics to broadcasting to a variety of causes while retaining energy and enthusiasm for all of them — brought along some of her favorite action photos from her career, emphasized her desire to see female athletes photographed in ways that emphasized their athleticism, rather than treating them like runway models.
The term “lecture” implies a formality that clearly was not the case here. This was more like a conversation; not necessarily the most cohesive presentation, in some ways, but no less interesting, enjoyable and informative for that. Rutherford was extremely funny, and Mendoza was as she always has been — perhaps the finest female role model I’ve known in athletics, given her mixture of composure, personality, enthusiasm and commitment.
The lecture has come and gone. The exhibit continues a little longer.
You missed out on one. Don’t miss both.